Puscifer 10/18/22

Would anyone know/care who Puscifer was if it were not for Maynard? I for one would probably say no but it would not be fair to compare Puscifer with Tool or A Perfect Circle because other than Maynard these bands have little to nothing in common. Nevertheless, I was intrigued to see Puscifer in a live setting because there is a handful of their tunes I am keen on and I had never seen a show at the California Center for the Arts.

After Bob and I had a burger and brew at the nearby Plan 9 Alehouse on Grand we worked our way through the maze of the city hall campus to the Concert Hall. Once inside we halfheartedly attempted to see where our seats were while opener Night Club was on stage but the pitch dark venue made it easy to go grab a beer instead. Timing worked out perfect as the house lights were up by the time we made our way back and found our seats.

A short while later the lights went down and a funny vignette began to project from dual screens onstage. This vignette featured Maynard dressed as his character Agent Dick Merkin and suggested that the mystery meat in Spam was in fact people who were caught using their phones during the show as this was strictly prohibited.

The setlist leaned heavily towards their newest offering Existential Reckoning and the stage show also went along with the same motif with three “extras” dressed up as probe agents and aliens. It was well designed and executed. The drummer and bass player kept things moving along but also freed up the guitar player to do his thing on his guitar without a headstock. Karina and Maynard’s voices harmoniously blended as they moved all around the stage. This was the first show I had been to in a long time with a formal intermission but also quite possibly the first time I had seen Maynard look like he was actually having fun, especially dressed as his character Billy D.

SETLIST: Bread and Circus, Postulous, Fake Affront, The Underwhelming, Grey Area, Theorem, UPGrade, Apocalyptical, The Remedy, Personal Prometheus, Momma Sed, Horizons, The Humbling River, Bullet Train to Iowa, Man Overboard, Flippant, Conditions of My Parole, Bedlamite

Helmet/Clutch 10/9/22

I was looking for an excuse to go to Portland before the end of the year so I could see my mom since I would not get to see her for either upcoming holiday this year and would be gone all of next year traveling the United States. This show was a perfect excuse as I would also be able to go to my first concert at the Roseland since I lived in Portland 18 years ago. Time really does fly when you’re having fun! As a bonus I would get to see Joe, Claude and Joe’s friend Greg.

We arrived right after JD Pinkus had finished and right before Quicksand took the stage. I had not remembered that drinking was only allowed upstairs but it made perfect sense as I am positive the floor area would have been a total mess if they did allow drinking down there.

I own the Quicksand album Manic Compression because it was a free CD through Columbia House way back in the day. Other than that, I had not made an effort to hear any of their other material so seeing them live did not do much for me. They were ok but just did not knock my socks off.

Helmet on the other hand was great. It looked to be the same band supporting Paige Hamilton that he has had for years now, which certainly helped. I thought it was ironic that from my vantage point upstairs Paige was off by himself separated from the other “hired guns.” My favorite moment of their set was when they played “Speechless” because I distinctly remember mentioning that song to Paige several years ago when I was able to chat with him briefly.

I have seen Clutch a handful of times and the only complaint I have ever had is that they never play many of their older songs. I did not expect anything different for this occasion since Clutch just released their thirteenth album Sunrise on Slaughter Beach a few weeks before this show on September 16th. Boy was I delightfully wrong! They did play five songs from the new album but went deep into the catalog for the rest of the set including three songs from the first album! This was the Clutch setlist I had been waiting on for years. Well played sirs, well played.

SETLIST: Red Alert (Boss Metal Zone), Walking in the Great Shining Path of Monster Trucks, Nosferatu Madre, Promoter (Of Earthbound Causes), El Jefe Speaks, Pure Rock Fury, Green Buckets, The Elephant Riders, Mountain of Bone, Willie Nelson, The Mob Goes Wild, A Shogun Named Marcus, Animal Farm, Passive Restraints, Skeletons on Mars, Noble Savage, The Face, Slaughter Beach, Earth Rocker, The House That Peterbilt

Henry Rollins 9/30/22

I knew Henry Rollins as the singer for Black Flag and Rollins Band but was also aware of the spoken word he had been doing for many years. I had never seen him in any capacity so it was a no brainer to grab tickets for when he decided to roll through San Diego on a Friday night. This was the first time I had been to the Observatory where seats were set up but it was also a rare instance that a presale actually yielded excellent tickets so Wayne and I had seats in the sixth row.

At 8 o’clock Rollins promptly trotted onto the stage that was bare save for a microphone stand. No backdrop, no notes, no water, no opener; just Henry Rollins. For roughly the next two hours and 15 minutes he never stopped talking. At 61 years of age he spoke of not having a moment to waste and based on the quick pace of his delivery and the fact that he never let up made you believe him. As he put it he was “rounding third base coming into home on the existential flatline.” He looked to be in great shape despite saying he only slept three to four hours a night and ate 1.5 meals a day with the .5 usually being a Power Bar but he did say he does not drink so that certainly helps. His topics ranged from Black Flag to Iggy Pop and the Stooges to traveling to a centerpiece story about a guy from Finland who breached his property and then broke into his house. All of his stories tied into the idea of leaving this century better than we came into it and I know I am definitely better off having seen Mr. Henry Rollins.

Toadies 9/21/22

For the last official day of summer 2022 I did what I set out to do almost exactly a year to the day earlier: see Toadies again, since the original date fell victim to the tail end of the pandemic. Toadies were to play the entire Rubberneck album top to bottom in sequence but this was actually the second time I had the privilege of seeing Rubberneck in full as I caught the performance to celebrate the 20th anniversary at the Belly Up back in 2014. I cannot believe this was eight years ago but really can’t believe that means the album is now 28 years old!

The show time was listed as 6:30 pm so Bob and I figured the actual start time would be 7. We showed up right before that to make sure to catch The Reverend Horton Heat at the behest of my buddy Joe. The next thing you know four fellows wearing matching sleeveless red leather vests appeared onstage. I had heard of RHH but did not really know much about them or what they looked like although I was pretty sure this was not them. The singer immediately started saying something over and over again but I could not quite make it out. After a while we figured out he was saying “Draculas,” which ended up being the band name that they stylize as DRAKULAS. These guys definitely had heard The Stooges and The Ramones before as their punk rock ways resembled both of those bands. Very fast, energetic songs with a frontman that took his cues from Iggy as he wriggled about onstage and spat out amusing banter in between songs. Their music was not so much my cup of tea but they were entertaining.

I did not know what to expect from The Reverend Horton Heat, which made their performance that much better. RHH’s sound was a mixture of rockabilly, country, surf, punk, swing and big band. I do not think it an exaggeration to say that Jim Heath is the best guitar player I have seen in a really long time. He was an absolute beast while Jimbo Wallace held down the fort on the upright bass and Jonathan Jeter would have fit in nicely with a full-on punk band. To keep with the theme of the evening they played their entire 1994 album Liquor in the Front. This album was produced by Al Jourgensen from Ministry and Jim playfully ripped on Al for taking 10 days to play his slide guitar part on one of the tracks. They ended the set with a spot-on version of Motorhead’s “Ace of Spades.” The interesting thing is that as I was researching something for this piece I learned that there is a 1925 American silent Western film serial called The Ace of Spades with a character named Jim Heath….

SETLIST: Big Sky, Baddest of the Bad, One Time for Me, Five-O Ford, In Your Wildest Dreams, Yeah, Right, Cruisin’ for a Bruisin’, I Could Get Used to It, Liquor, Beer and Wine, I Can’t Surf, Jezebel, Rockin’ Dog, The Entertainer, Ace of Spades

There is an excellent little documentary on YouTube called “Clark Vogeler’s “Dark Secrets – The Stories of Rubberneck.” I re-visted this before the show and noticed five different people in the documentary wearing a Reverend Horton Heat hat so it was nice to see them pay homage by having RHH open for them. “Little Sin” was a perfect opening song and we even got to hear an excellent new track called “The Charmer” before they were true to their word and played all of Rubberneck faithfully. “I Burn” was especially cool when they brought out the drummers from the opening bands to beef up the percussion. “I Put A Spell On You” was a fun way to come out for an encore as was more help from their friends for the closer “Rattler’s Revival.” Toadies never disappoint and this time was no exception.

SETLIST: Little Sin, No Deliverance, The Charmer, Jigsaw Girl, Mexican Hairless, Mister Love, Backslider, Possum Kingdom, Quitter, Away, I Come From the Water, Tyler, Happy Face, Velvet, I Burn, I Put a Spell on You, Push the Hand, Rattler’s Revival

Foreign Air 9/14/22

Going to watch a band I’ve never heard of on a school night? Yep. I had not seen my buddy Calvin for a while so when he randomly text me to see if I would be willing to go with him to check out Foreign Air I said why the hell not? The show was at Soda Bar, which I had been to exactly once when I saw Local H for the first time back in 2013.

When we walked up, there were a few people out front and one of them turned out to be the opener Anna Shoemaker. She went on about 10 minutes after we got there and it was just her and a drummer. Anna explained that she was from Philadelphia and that she had never been to California then went on to sing, bounce around and even play a little guitar on her pop flavored brand of music. She was very talented and I could see her being very successful if given the right exposure. There was a lot of sound coming from the stage because the drummer kept triggering background music from a nearby laptop before each song, which was effing with me because it was very produced (and my gummy had kicked in) so it made it easier for her to sound good. This is not a knock on her at all but rather a complement to the drummer because if he were to mess up then the whole song would have fallen apart as the background track kept playing at the right pace.

Foreign Air was up next and Calvin had mentioned to me that he could not believe they were playing a place this small. This place is indeed small but was still a lot bigger than it needed to be for the 30 or so people that were in attendance. After witnessing this band I feel special to have been one of those 30 because they were great. They are listed as a duo (Jesse Clasen and Jacob Michael) but live it was these two plus a drummer. Jesse was posted up behind a keyboard/sampler rig while he played guitar and sang while Jacob switched from bass to keyboard/samples. When my Uber driver asked me what kind of music Foreign Air played it was hard to pinpoint but Billboard Magazine once described the music as “Transcendent Indie-Rock-Meets-Electronica with a penchant for forceful guitars and haunting vocals.” Let’s go with that. Jesse was a talker and relayed that despite releasing both an LP and EP in the last couple years that this was only their fifth show since those releases due to the pandemic. One thing I know for sure is that both these artists deserve more recognition and it would not surprise me in the least if at some point they get it.

Nine Inch Nails 9/2/22

I play fantasy football with eleven of my buddies and every year since 2014 right around Labor Day Weekend we, along with a handful of other usual suspects have traveled to a new city to do our draft, drink a shitload and generally cause a ruckus. So far, we have hit Phoenix, Ensenada, Vegas, Portland, Cabo, Austin, Nashville, Key West and this year we decided to do Denver. One of the guys in the league lives in Denver so logistically that made it a little easier than normal to plan everything. By sheer coincidence/luck Nine Inch Nails announced a small tour with two consecutive nights at Red Rocks that coincided with the dates we were going to be there so all of us agreed that would be a cool thing to do while we were there.

The guy who lives in Denver was also getting married two weeks later so we used this as an excuse to treat the concert like a surprise bachelor party. We had custom jerseys with his face made up and once all 18 of us were on the party bus to Red Rocks we unveiled the jerseys and put on wigs, neon shutter glasses and white gloves. It was quite a sight to have 18 guys in the same costume spill out of the bus once we got there and nobody there knew what the hell was going on but everyone was cool (as most people at rock concerts are). My buddy Marvin who is notorious for securing a last-minute ticket at the concert was the only one of us that did not have a ticket but the bachelor told the ticket taking lady of our conundrum and she just let him in without a ticket!

A band called Yves Tumor opened and they were not my cup of tea. Then again after not having seen Nine Inch Nails for eight years I don’t think there were many bands that could have satisfied me as an opener as I just wanted to get to why we were all there. The whole time Yves Tumor was onstage mother nature seemed to be brewing up a storm that was on a collision course with us. I thought it would have been cool, both figuratively and literally, to get rained on but mother nature had something better up her sleeve…

Red Rocks is widely considered one of the best outdoor amphitheaters or concert venues in general and for good reason. The place is incredible. I was lucky enough to experience this beautiful spot once before when I saw STP here back in 2008 but having 17 guys with me was an altogether new experience. As soon as Trent and Co. took the stage mother nature put on a hell of lightning storm as a backdrop to the electricity flowing from the stage for the duration of the show and we never did get rained on. The setlist was fantastic but there were a few glaring omissions with no “March of the Pigs,” “Terrible Lie” or “Closer.” “March of the Pigs” was what I wanted to hear the most but I guess he had to save something up his sleeve for the second night (he played that and “Closer” on night two). “Reptile” always sounds so much heavier when played live so that along with “The Wretched,” “Burn” and the selections from Broken more than made up for any “omissions.”

SETLIST: Somewhat Damaged, The Day the World Went Away, Wish, Last, Sin, This Isn’t the Place, Reptile, Discipline, Ahead of Ourselves, The Line Begins to Blur, Echoplex, The Frail, The Wretched, The Perfect Drug, Survivalism, Every Day Is Exactly the Same, Burn, Gave Up, Head Like A Hole, Only, The Big Come Down, And All That Could Have Been, Hurt

Def Leppard, Motley Crue, Poison and Joan Jett 8/28/22

“The Stadium Tour” was originally supposed to take place on 7/23/20 in San Diego but then that whole pandemic thing happened so it was rescheduled until 9/12/21…but then that whole pandemic thing was still kind of happening so it was rescheduled again for 8/28/22. The shitty part was that the first two dates were a Saturday and now that the concert was finally taking place it was on a Sunday but after holding onto tickets for over two years, I was just happy that the show was taking place at all. After Mack, Kyle, Bob and I met up with friends at a nearby bar for a couple of drinks we were ready to find our really good floor seats that I somehow managed to score all those many moons ago.

First up was Joan Jett, who I was excited to see since I had never seen her before. She is a badass pioneer woman who made her mark in an industry that surely made it challenging for her to do so. Just the fact that she took the opening slot with these other three all male groups says a lot about her. She gives off this “I don’t give a fuck” vibe and I love it. Sadly I did not get to see her entire performance but I did get to see her play a few of my favorites in “Crimson and Clover,” “I Love Rock N Roll” and “Bad Reputation.”

SETLIST: Victim of Circumstance, Cherry Bomb, Oh Woe Is Me, Do You Wanna Touch Me (Oh Yeah), You Drive Me Wild, Fake Friends, Everyday People, Crimson & Clover, I Hate Myself For Loving You, (I’m Gonna) Run Away, I Love Rock ‘n’ Roll, Bad Reputation

It has been well documented that before Nirvana came along, I owned cassettes from exactly four bands and three of those bands were about to play in succession starting with Poison. My favorite Poison song “Look What the Cat Dragged In” is apparently their favorite song to open with as this is the song they also opened with the only other time I saw them about five years before this. The other highlights for me were “Talk Dirty to Me” and “Nothin’ But A Good Time.” A good time was had indeed but the next band up was the main reason I wanted to be there.

SETLIST: Look What the Cat Dragged In, Ride the Wind, Talk Dirty to Me, Your Mama Don’t Dance, Fallen Angel, Unskinny Bop, Every Rose Has Its Thorn, Nothin’ But A Good Time

When I think of Motley Crue I evoke imagery of sleazy, decadent rock ‘n’ roll but at their best I also think of them as one of the heaviest “hair metal” bands. After having only seen them play exactly one song over 17 years before this I was ready to actually see them. They did not disappoint as this is a band that was built to play stadiums. Vince Neil’s crazy voice still had that unique timbre and even though he only sang in spurts the two extremely attractive backup singers filled in the gaps for him, Tommy Lee seemed to be fully healed from his broken ribs that he recently dealt with, Nikki Sixx’s trademark presence cast a dark shadow over the performance (in a good way) and Mick Mars looked like an angel of death killing it on the guitar as always. I forgot to mention that I dressed up like Nikki Sixx for this concert so that definitely made things interesting in general with many people bugging me for pictures and generally harassing me. “Shout at the Devil,” “Looks That Kill,” Dr. Feelgood,” “Same Ol’ Situation,” “Girls, Girls, Girls” and “Kickstart My Heart” made me feel like I was 15 years old alone in my bedroom again. The best adults are the ones that refuse to completely let go of their childhood. It was nice to be part of a crowd that all seemed to feel the same way.

SETLIST: Wild Side, Shout at the Devil, Too Fast for Love, Don’t Go Away Mad (Just Go Away), Sanits of Los Angeles, Live Wire, Looks That Kill, The Dirt (Est. 1981), Rock and Roll, Part 2/Smokin’ in the Boys Room/White Punks on Dope/Helter Skelter/Anarchy in the U.K., Home Sweet Home, Dr. Feelgood, Same Ol’ Situation (S.O.S.), Girls, Girls, Girls, Primal Scream, Kickstart My Heart

Def Leppard was probably my favorite band growing up so it was fitting that they closed out this show even though I thought Motley Crue should have been the headliner. Once Def Leppard got into it I realized that they were probably more built for the masses than Motley Crue after all. These guys are true professionals. This was the third time I had the privilege of seeing these Brits and after all these years they still looked like they actually enjoy what they do. I know I certainly enjoyed watching/feeling/listening to what they still do so well.

SETLIST: Take What You Want, Let It Go, Animal, Foolin’, Armageddon It, Kick, Love Bites, Promises, This Guitar, Two Steps Behind, Rocket, Bringin’ On the Heartbreak, Switch 625, Hysteria, Pour Some Sugar on Me, Rock of Ages, Photograph

https://www.sandiegouniontribune.com/entertainment/music/story/2020-06-18/motley-crue-and-def-leppards-2020-tour-is-rescheduled-for-2021

Freaks on Parade 8/12/22

It is rare that I want to see every band on the bill, especially when four bands are playing. This was that rare instance. Bob, Kyle and I decided that making the drive up to Irvine on a Friday was a much better option than doing the hometown show in Chula Vista on a Sunday. This allowed us to get loose and enjoy ourselves a little more than we would have on a “school night.” None of us had ever been to the Fivepoint Amphitheatre that was built in 2018 to replace the Irvine Meadows Amphitheatre I had previously seen a handful of shows at. Capacity is only 11,730 so even though our seats were near the back we still did not seem that far back. That of course did not stop me from trying to weasel our way into better seats but more on that later….

The aptly labeled “Freaks on Parade” tour started with Powerman 5000. There was a time when I really liked this band but the only remnant left from that band is Rob Zombie’s little brother Spider One. I guess if there is only going to be one member of the original band left the singer is the preferable person since actual instruments are easier to approximate than the vocals. They were alright but things just have not been the same since everyone else left. All members jumping up and down in unison just came across as very contrived. I still enjoyed it but that was mostly due to the setlist they chose. We did get away with sitting in the best seats in our section thanks to my sweet talking the security guard so that was a bonus too.

SETLIST: Footsteps and Voices, Nobody’s Real, Invade, Destroy, Repeat, Horror Show/Seven Nation Army, Bombshell, Supernova Goes Pop, When Worlds Collide

“Static-X” was the last band I saw before the pandemic lockdown. I put “Static-X” in quotation marks because this of course was without Wayne Static who passed back in 2014. Instead, this was the original lineup with a character named “Xero” filling in for Wayne. They did a damn good impression last time and this time was just as good if not better. Of course it did not hurt that the entire setlist with the exception of “Cold” was taken from the Wisconsin Death Trip album. We tried to sneak into better seats before they came on but failed as security at this amphitheater is tighter than most.

SETLIST: Bled For Days, Wisconsin Death Trip, Sweat of the Bud, Love Dump, Cold, I’m With Stupid, Push It

Though both Mudvayne and I were at Rockfest 2000 this was before they were on my radar so I really only saw them once over 20 years ago at Ozzfest 2001. They put on a pretty fierce show back then so I was excited to see if they could match that level of performance after all this time. They did in spades. Chad Gray and company never broke character and took us into the darkness, both proverbially and literally. The songs held up nicely and the band played tight yet loose, which produced a very natural sound for such a brutal brand of music. Welcome back!

SETLIST: Dig, Under My Skin, -1, Severed, Death Blooms, Internal Primates Forever, Determined, Not Falling, Nothing to Gein, Dull Boy, World So Cold, Happy?

I was no phantom stranger to seeing one Mr. Rob Zombie as I was privileged enough to see White Zombie three times back in the day and Rob Zombie solo four times before this but I had not seen Zombie since Aftershock 2019. Though I miss White Zombie I love seeing him because he has both John 5 and Ginger Fish so it is essentially like seeing Marilyn Manson at his peak with a different singer. Rob Zombie himself has always been a mixed bag in the previous times seeing him but on this particular night he sounded great. Overall, the sound from where we were was not great but the atmosphere created by the full moon and good company more than made up for it. At one point they played a good portion of AC/DC’s “Thunderstruck” and convinced all of us in the crowd that we were going to be treated to the whole thing but then they ripped into “Thunder Kiss ’65.” You got us good fucker!

SETLIST: The Triumph of King Freak (A Crypt of Preservation and Superstition), Superbeast, Meet the Creeper, Shake Your Ass-Smoke Your Grass, Living Dead Girl, More Human Than Human, Scum of the Earth, Dead City Radio and the New Gods of Supertown, Never Gonna Stop (The Red, Red Kroovy), Well, Everybody’s Fucking in a U.F.O., House of 1000 Corpses, Thunder Kiss ’65/ Blitzkrieg Bop, We’re An American Band, Shadow of the Cemetary Man, Dragula

Oliver Tree 8/4/22

Another show that never was. I had no idea who Oliver Tree was until Larry excitedly educated me. After watching the brilliantly funny videos with good music it was a no-brainer to buy tickets to see him when he came through San Diego.

Fast forward to a couple of hours before showtime and I decided to hop onto Facebook to see if I could find out what time he was playing since I could give a fuck about Smash Mouth and did not know the other acts on the bill. This is when I found the message below saying the show was cancelled. Knowing this guy to be a sarcastic joker of sorts it was prudent to make sure the show was legitimately cancelled, which turned out to be a joke in and of itself. Usually if a show is cancelled or rescheduled the ticket provider sends an email to let people know. Showclix did no such thing. Researching online was also a dead end as the only thing I found was a Reddit forum with a bunch of other people that did not know what the fuck was going on. Finally I called Petco Park and much to my surprise got a live person on the phone who confirmed the show was indeed cancelled. I can only imagine how many people actually went down to Petco Park before figuring out the show was cancelled. Way to go Showclix! OT I hope you get well soon.

America 7/8/22

America is a band that was never in my face growing up but always seemed to be there in the background or coming through the AM airwaves. As I got older I realized a handful of their songs were living in my subconscious because I liked the songs enough to keep them around. Humphreys By The Bay is an intimate gem of an outdoor concert venue that only holds 1400 people located on Shelter Island off the San Diego Bay. Friday night concerts are rare enough, but going with my lady to see a band I have never seen at a venue I had never seen a concert at made this all the more special. 

After we secured last minute hard tickets from Craigslist we made our way to Point Loma to grab sushi and drinks then had a beer at nearby Eppig Brewing before we walked over to the venue. This my friends was the Alaska Cruise of concerts (average age 70+), which came as no surprise since this band reached its commercial zenith in the 70’s. Since the venue is right next to the water there is a community of people “in the know” that roll up to the side of the venue in canoes, paddle boards and other small floating objects to watch shows for free. Speaking of watching for free, I found it amusing that a guy who asked me if I had an extra ticket as I was coming into the venue was in the beer line behind me 10 minutes later after he accomplished his mission. I gave him props and was delighted to realize my buddy Marvin will definitely still be doing this when we are this age.

Jack Tempchin was the opener and I am ashamed to admit that I had no idea who he was before this moment. It was just him and an acoustic guitar and not long into his set I learned that he actually wrote the Eagles songs “Already Gone” and “Peaceful Easy Feeling” that he performed. Apparently he is a very accomplished songwriter that has been hiding in the shadows writing songs for others that have become hits.

America’s tour was originally slated for 2020 to celebrate the band’s 50th anniversary before that thing happened. I knew that America probably had songs that I did not even realize I liked and was happily proven right when they came out and played “Tin Man” first. The whole evening was a learning experience as I also learned they hold the record for number of times a band has played at Humphreys (thirty something). Finally I learned that George Martin of Beatles fame produced the band for years after the Beatles broke up and as such they treated us to a rocking version of “Eleanor Rigby!” They also did a great cover of “California Dreamin’” that they apparently charted with back in 1979.

Overall Dewey Bunnell, Gerry Beckley and their very capable backup band sounded fantastic. They gave me a night to remember with “Tin Man,” “You Can Do Magic,” “Ventura Highway,” “Eleanor Rigby,” “Sister Golden Hair” and “ A Horse With No name.” 

SETLIST: Tin Man, You Can Do Magic, Don’t Cross the River, Daisy Jane, Riverside, I Need You, Here, Ventura Highway, Driving, Eleanor Rigby, Cornwall Blank/Hollywood, Survival, The Border, Greenhouse, Woman Tonight, Only In Your Heart, California Dreamin’, Lonely People, Sandman, Sister Golden Hair, A Horse With No Name