Ministry 4/14/22

After being rescheduled numerous times due to the pandemic it was finally time to actually see this concert! The delay actually ended up being favorable as neither Melvins or Corrosion of Conformity were originally scheduled to be the openers. Bob and I arrived with just enough time to grab a brew and make our way in front of the sound guy before Corrosion of Conformity come out on stage. My first thought was that House of Blues is always smaller than I remember and my second thought was surprise that COC was opening but in reality Melvins have a much larger discography. 


COC handled their business as usual. If a member of one of the other bands on the tour with you (Paul D’Amour) is caught watching from the wings for most of your set then you must be doing something right. As I watched COC I realized that we actually saw COC with Ministry back at Danzig’s “Blackest of the Black” festival about five years before this. I particularly enjoyed “Shake Like You” from their set and wanted to love “Clean My Wounds” but they went into excessive noodling mode for their closer. 


SETLIST: Bottom Feeder (El que come abajo), Paranoid Opioid, Shake Like You, Diablo Blvd., Senor Limpio, Vote With A Bullet, Wiseblood, Albatross, Who’s Got the Fire, Clean My Wounds


Melvins are always a treat and this showing was no exception. Buzz has full on adopted the “pissed off Wizard” look and this plays nicely with the brand of music they embrace. “Queen” was ferocious and my favorite on their setlist but it was also cool to see Roy Mayorga come out and do simultaneous drumming with Dale Crover for “Hooch” and “Honey Bucket.” It was hard not to notice the difference in sound quality between COC and Melvins and that got me thinking about how at most concerts the actual sound quality is progressively better with each band on the bill. 


SETLIST: The Kicking Machine, It’s Shoved, Anaconda, Queen, Charlie, Billy Fish, Civilized Worm, Never Say You’re Sorry, Evil New War God, Hooch, Honey Bucket, The Bit


Ministry was the original draw for this show and by the end of the night it would be crystal clear why they were the headliner. The tour was originally supposed to be celebrating the 30th birthday of The Mind Is A Terrible Thing To Taste but they also cranked out a new album in Moral Hygiene during the pandemic. Ministry had a chain link fence placed at the very front of the stage, which created a very strange dynamic between the band and the crowd. Were they in a cage or were we? What can I say? I have seen Ministry many times and they always find ways to surprise me. On this night they were LOUD AS FUCK and went deep into the catalog. The Setlist was five oldies to the face followed by two Pailhead songs then another five to the face before three from Moral Hygiene for the encore. The crowd went ape shit the entire show and during “The Missing” I actually went missing to Bob when I got swept up in the “toilet bowl” effect of the mosh pit. The next thing I know I was only four rows from the stage, where I would stay for the rest of concert. It was so much more calm up there versus back by the mixer where I originally was.


SETLIST: Breathe, The Missing, Deity, Stigmata, Supernaut, Don’t Stand In Line, Man Should Surrender, Burning Inside, N.W.O., Just One Fix, Thieves, So What, Alert Level, Good Trouble, Search and Destroy 

Corrosion of Conformity 1/26/19

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This was only my third time seeing Corrosion of Conformity and I had not seen them since Blackest of the Black in May of 2017, which was before the release of their latest album No Cross No Crown almost exactly a year before this show.

I never really listened to enough Crowbar to get into them but wanted to show up a little early to check them out simply based on the Jimmy Bower/Kirk Windstein connection from the band Down. Unfortunately I could not recruit anyone to go with me once again so I flew solo to Brick By Brick after downing some Fat Tire. When I arrived there were a handful of people hanging out near the entrance and as I walked closer I realized the person I was about to pass was Pepper Keenan. He turned and looked at me so I said “Oh Fuck Yeah” and we fist bumped.

I had not been to Brick By Brick for some time so I forgot how small that place is. It only holds about 400 people. Once inside I grabbed a tallboy PBR and watched the remainder of Crowbar’s set. I also ingested the two gummy edibles I brought with me in hopes of timing the onset to coincide with COC’s set. Crowbar had some good grooves but I just did not know the songs.

After I had secured another tallboy ZZ Top’s “La Grange” started making it’s way out of the speakers to signify the end of the intermission. This is a fantastic song to take the stage to. As I looked around the room everyone seemed to be in agreement. COC opened with “Stone Breakers” and from then on it was an all-out onslaught of sludgy metal at it’s finest. I don’t remember exactly what else they played but I do know they played “Wiseblood,” “Wolf Named Crow,” Long Whip/Big America,” “Seven Days,” “Albatross” and closed with “Clean My Wounds.” Rocked my socks off. As I left the venue to walk to a spot to request a Lyft I realized that I was unknowingly following Pepper Keenan as he was walking back to his bus. Once I realized this I turned the other direction thinking that if he turned around and saw “this guy” again he might of thought I was stalking him. Then again that was probably just the gummies.

Blackest of the Black 5/26/17

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According to the website “Blackest of the Black Festival is…the brainchild of Glenn Danzig, the event not only serves as a music festival, but as a cultural experience: an escape. Coming to Oak Canyon Park in Silverado, CA in Orange County on Memorial Day Weekend, Friday, May 26th and Saturday, May 27th, Blackest of the Black will host two music stages, curated by Danzig, with performances by some of the heaviest acts around including Danzig, Ministry…and many more. The festival will also feature camping, and a number of sinister attractions including Castle Danzig – a fully immersive walkthrough experience of pain, pleasure, and metal, based on the music and graphic novels of Glenn Danzig.” The advertised attractions for Castle Danzig included a Suspension Stage, Sacrifice Altar, Bondage Stage, Padded Cell, Electro Stage, Drukija Blood Bath, Stocks, Freak Performers and Amusement Rides.

Ken flew in to San Diego from Phoenix to accompany Bob and I to this madness. We decided beforehand to camp as we had done at Aftershock a couple years prior. The website said we could each bring in a case of beer but we had no problem sneaking in whatever we wanted, especially because Bob found a “hidden compartment” to hide stuff behind my glovebox. Genius. The concert site itself was a cool little spot out in the middle of nowhere next to a lake in a canyon between two mountains. Our campsite however, was our very own 12’ x 12’ square in a dirt parking lot to call our own. The saving grace was Bob’s brand new pop up tent that literally took under 60 seconds to set up and under 60 seconds to put away. Meanwhile a couple of guys close by were setting up a teepee well into our third beer after our tent was ready to roll.

Today was all about Corrosion of Conformity but they would not be playing until second to last so once we had a few beers at our camp spot we decided to wander into the festival grounds to see what we would be dealing with. Immediately upon entering the festival we spotted three of the “Freak Performers” walking around. They were not really doing anything but were hard to miss because one little lady was walking around topless save for an “X” over each nipple fashioned out of black electrical tape. After walking past some plastic body parts and various horror type paraphernalia dangling from a tree we checked out 3Teeth which seemed like a slightly lighter version of a cross between Rammstein and KMFDM. Next were Butcher Babies, who were up to their syncopated hair swirling ways again just like when they opened for Marilyn Manson years ago. I had to watch just for the laugh. We found what seemed to be the makings of this Castle Danzig we had read about but what we saw looked more like an area strictly for performers rather than “a fully immersive walkthrough experience.” More on that later. Satisfied with our walkthrough we made our way back to the camp spot for more beers, grub and “cookies.”

As I stated earlier today was all about Corrosion of Conformity. I had only seen them once and that was about sixteen and a half years before this. They were not touring for a new album and to my knowledge had not done many shows since Pepper Keenan recently re-joined the band after nearly a decade long hiatus. They did not disappoint. We were only a couple rows back from the front when they came out so we had prime viewing for their entire set. I was so immersed in their set that I did not notate the songs of their setlist like I am known to do from time to time and apparently nobody online did either. What I do remember is them playing many songs from Deliverance and Wiseblood which made me very happy. The cookies did not hurt anything either. Bob and Ken are not avid cannabis users so one cookie plus the beers they had put them on a spaceship, which I was acting captain of after eating two cookies.

Suicidal Tendencies closed up the night and had sort of become a running joke between my friends and I. They were on the bill for at least two or three other concerts we attended but always opened. I was only curious to see them because of “Institutionalized,” the only song of theirs I really knew, but ultimately it always came down to a decision between going to see them and having more beer and beer always won. Now we had no excuse so we checked them out and to my surprise were way more punk than I realized. They had a mosh pit onstage nearly the entire set. At one point they brought about 30 females up from out of the crowd (this accounted for probably every female in attendance) and those females started a mosh pit onstage. Good times (even though they did not play “Institutionalized”).

Once Suicidal’s set was over “Castle Danzig” finally came to life. Long story short it was a joke. It was exactly what it looked like earlier in the day, which was basically an area that had many performers doing the things that were advertised rather than us being able to “walk through.” Now it made sense why the website had changed about a week prior to this to suddenly exclude the details on the “attractions.”

Blackest Festival

Corrosion of Conformity 12/4/00

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By this time I had recently rekindled my friendship with Jack (the roommate who owed me money), partially because he finally paid me back. We shared a liking of both Clutch and Corrosion of Conformity so we decided to go.  I don’t remember the other bands probably because we were both drinking pretty heavily in preparation of the two bands we actually went to see. Clutch was on tour for Jam Room but I hadn’t yet heard it. Claude is once again responsible for me ever hearing of Clutch. He gave me their first album and by the time the self-titled album came out all my friends were loving it. It was when Clutch came on that I lost Jack, which is no small feat in a place of this size. I first heard Corrosion of Conformity by way of the song “Albatross” that was on a sampler CD given to me with a pair of Airwalk shoes that I purchased. This lead me to buy the Deliverance album and later Wiseblood but they were touring for the album America’s Volume Dealer that had just been released about a month prior to this show. By the end of the show I was all rocked out and still couldn’t find Jack. It turns out he lost a shoe in the mosh pit and stumbled his way onto the MAX (public transportation in Portland). He said he felt like a bum walking around downtown with only one shoe and since it is Portland we’re talking about of course it was raining. Then he got lost on the MAX because he had only been in Portland a few short weeks…