The Tattoo the Earth tour was a tour that featured several bands and prominent tattoo artists. It also took the place of the normal KUFO Rockfest for the year 2000. I was interested in Downset because my friends and I had got into their self-titled album years earlier. Their set was alright. I would’ve been into Sepultura but Max Cavalera had already left the band by this point. Mudvayne was there but not yet on my radar. Coal Chamber was scary to watch simply because the band members look scary. Slayer was Slayer. Even though I’m not a huge Sevendust fan they impressed me because the two guitar players were doing some insane things going back and forth feeding off each other. This was the second time I saw Slipknot but I was still not really a fan of their music. I remember one moment when Corey Taylor wanted everyone to crouch down and jump up right when the song hit it’s peak. That was pretty weird because I have never seen so many people do as they were told at a rock show. The truth is that I really could of gave a shit about the other bands-I was there to see STP again for the first time in 6 years. This show marked STP’s return to Portland for the first time since they had reunited. They had just released their comeback album, No. 4, the previous fall. I attended the show with Joe, Ross, and Lucinda. Joe and Ross had both driven in from out of town to stay with Lucinda and I and had a little quarrel later this night at our house. As far as STP’s performance, it was pretty flawless. Scott Weiland was pretty upset with one of the DJ’s at KUFO because in an interview earlier that day he had been asked questions about his family. One highlight was putting Lucinda on my shoulders so she could see (she’s about 5 foot 2). She was the only one at this point towering over the crowd and therefore Scott Weiland was looking right at her for a good portion of time while he was singing. Another highlight was when they played “Crackerman.” The place just erupted. The final thing I remember was them pumping police siren sounds through the sound system when they left the stage, which was funny because they seemed to be mocking all of Weiland’s recent problems with the police.